“This tour-de-force was a thoroughly compelling burst of adrenaline in the hands of Thomas Snydacker.” – Chicago Classical Review

“The saxophone solo of the first movement was full of longing and melancholy, played by Thomas Snydacker with a plush tone that made the unusual scoring stand out.” – South Florida Classical Review

“His witty piece took the form of a growling, gurgling conversation between Zachary Good’s bass clarinet and Thomas Snydacker’s baritone saxophone. Boustead praised it as a “stunning tour de force” and that is indeed how it came across…” – Chicago Classical Review